Showing posts with label indigenous. Show all posts
Showing posts with label indigenous. Show all posts

Friday, October 29, 2021

Do You Know Whose Land You're On? A Land Acknowledgement Series

 Preparation: 


Resources:

Wednesday, March 6, 2019

Indigenizing the libraries

A group of librarians met with a classroom faculty member this morning to talk about relationality, indigenous knowledge, potential library projects, such as how would we highlight the materials created by Michigan Tribal Nations people, mostly Anishinaabeg? How do we help instructors prioritize Native perspectives in all fields? How do we frame outsider/settler perspectives, especially in the Termination-policy era, for example? We could create a new library guide informed by NAAC or the Little Traverse Bay Band curriculum specialist Amanda Weinert (http://www.ltbbodawa-nsn.gov/EDU/EDU.html).

Language to use:
  • "Tribal Nations people," "Sovereign nations," "First Nations" in Canada, band names such as "Little Traverse Bay Bands of Odawa Indians." 
  • Explain reasoning to learners, e.g., "American Indian," "Native American," "tribe" are all government-imposed terms, whereas a band name is the way that people refer to themselves. Another example is "Hispanic," also a government-imposed term instead of "Latino, Latina, Latinos, Latinas, Latin@ or LatinX." 
  • "Settlers" to refer to more recent peoples in the Americas - from the early 1600s C.E./A.D. onward to the present day. 
  • "Indigenizing" instead of "decolonializing."

Sunday, September 3, 2017

Adventures in Australian & New Zealand fiction

Green means best in my opinion, purple means have it, yellow means I would like to have it (a.k.a. wish list), turquoise means look for it to read.

2017 Sabbatical: I have been reading mostly Australian writers.

Picture books:
  • Gibbs, May. Found Tales from the Gum Tree sickeningly cutesy.
  • Lester, Alison, Elizabeth Honey, and the children of Gununa. Our Island is great! The children did the artwork, using crayons and food dye.
  • Oliver, Narelle. Fox and Fine Feathers was fantastic, gorgeous artwork.
  • Owen, Lindsey, ill. by Matteo Grilli. Poss in Boots was funny, about a young possum who tap dances on the roof of a house of jazz musicians.
Found the book about the Aboriginal cricket team in the 1800's illuminating.

Juvenile:
  • Brinsmead, Hesba: loved The Honey Forest
  • Hall, Leanne: Iris and the Tiger - set in Spain but with an Australian protagonist - really terrific!   
  • Lindsay, Norman: I read about half of The Magic Pudding - it is funny.
  • Pascoe, Bruce: Mrs Whitlam (Aboriginal, girl and horse) was ok but the writing wasn't that good.
YA:
  • Brinsmead, Hesba: I felt that Isle of the Sea Horse was boring, sort of an Aussie retelling of Swiss Family Robinson so didn't finish it.
  • Fitzpatrick, Deb. Have you Seen Ally Queen?  I guess I'm tired of sad YA novels: didn't finish it.
  • Gough, Erin: I found The Flywheel by (lesbian) difficult and sad until the very end, when it came round right.
  • Winch, Tara June: Swallow the Air (Aboriginal) was beautifully written but so very sad.
  • Wrightson,
    Patricia: liked A Little Fear and A Wisp of Smoke. Did not finish Shadows of Time.
Adult:
  • Slatter, Angela. I just finished the compelling Vigil (urban myth, Brisbane setting) and have been thinking about it ever since. Corpselight was also compelling! Third is Restoration (e-book), which sums everything up.
  • Greenwood, Kerry. Corinna Chapman mysteriesEnjoyed Earthly Delights - loved it right up until the ending. 2nd is Heavenly Pleasures, only in print format at KDL (as are the others in this Corinna Chapman series). I read Devil's Food (#3) from Brisbane Library. Forbidden Fruit (#5) & Cooking the Books (#6) are pretty good (e-books).
  • Hodgson, Anthea. The Drifter -  not your typical Western Australia romance - an excellent story! Didn't like The Cowgirl (e-book), though.
  • Nunn, Judy. Enjoyed Spirits of the Ghan - historical and contemporary fiction, set in cities and the Outback.  
  • Fergus, Lara. Tried to read My Sister Chaos (about a lesbian cartographer with OCD, obsessed with mapping her house, and her twin) but couldn't stand it.
  • Hawthorne, Susan. Falling Woman is about a lesbian with epilepsy, told in 3 ways - as a child, Stella, as an adult with her partner, Estella, and there's a mystical part with Estelle. I'm enjoying it and am simultaneously bored with it.
  • Mears, Gillian. Foal's Bread. 2012. - fiction about a young woman, set in New South Wales between WWI and WWII. Great writing but sad, and I didn't finish it.
  • Van Neerven, Ellen. Read Heat and Light (Aboriginal, lesbian short stories); it too was beautifully written but sad.
Read before/after 2017:
Search KPL for: "lgbtq+ fiction" AND australia* (start with the authors after H)
  • Brown, MaggieIn the Company of Crocodiles (e-book, love it!). Last Time We Met (loved it). Playing the Spy (e-book, fun!). Reinventing Lindsey (e-book, interesting). I Can't Dance Alone (e-book, not great). Mackenzie's Beat (not great).
  • Denison, Lyn. I've read some of her lesbian novels, but put them on my Hoopla favorites anyway. For All Time was happy at the beginning and end but very sad in the middle.
  • Emrick, K.J. Death in Room 7 (Pine Lake Inn Cozy Mystery Book 1) and Digging For Trouble (# 2) (e-book cozies: set in Tasmania but don't give a feel for the landscape)
  • Fulton, Jennifer (aka Rose Beecham) is a New Zealander who lives in Australia. Greener than Grass - lesbian romance.
  • Hill, Gerri. 
  • Kuttner, NaomiNew Zealand Paranormal Cozy mysteries. The Retired Assassin's Guide to Country Gardening (#1) was great! Enjoyed #2 The Retired Assassin's Guide to Orchid Hunting (#2). #3, The Retired Assassin's Guide to Amateur Theatrics, is on my wishlist.
  • McNab, Claire. Wombat Strategy (meh, set in L.A.).
  • Nunn, Kayte. Rose's Vintage is so good, as is Angel's Share (e-books)! Botanist's Daughter (e-book) settings are Australia, Cornwall, and Chile.
  • Scoullar, Jennifer. Brumby's Run is the 1st in a series called the Wild Australia Stories. Identical twins separated at birth, one raised in a wealthy, city family, the other in poverty in an outback farm. Very good! 2nd is Currawong Creek, about a lawyer who gains a difficult foster child and moves to her grandpa's outback farm.

Thursday, June 8, 2017

Kristin Hogan



The GVSU Library partnered with Women, Gender, & Sexuality Studies to bring Kristen Hogan to campus - professor/librarian and author of The Feminist Bookstore Movement : Lesbian Antiracism and Feminist Accountability.

An interview with her about her book:

Chapters and an article:
We Collect, Organize, Preserve, and Provide Access, With Respect: Indigenous Peoples’ Cultural Life in Libraries, in Beyond Article 19 : Libraries and Social and Cultural Rights, with Loriene Roy

Balancing Access to Knowledge and Respect for Cultural Knowledge: Librarian Advocacy with Indigenous Peoples’ Self-Determination in Access to Knowledge, in Libraries Driving Access to Knowledge

Women’s Studies in Feminist Bookstores: “All the Women’s Studies women would come in,”  Signs Journal of Women in Culture and Society.

My thoughts:
Hogan's writings about Indigenous peoples helped me think about access to sacred knowledge in a different way - that sometimes there are good reasons for limiting access to information or artifacts (e.g., to certain seasons of the year) or to certain population segments (e.g., women vs men, indigenous or non-indigenous).

Hogan refers to the Feminist Bookstore News, which we have in the Independent Voices database, so I looked up Kalamazoo Pandora and read the articles about River Ardz's bookstore, which I think was open 1981-1999. While I went there, it was infrequently, and I felt like I missed out on a lot of River's wisdom, until Amy reminded me that I should be gentle with myself about the past and living in Kalamazoo.


Sunday, September 18, 2016

Anishinaabe reading

I read Dirty Copper by Jim Northrup. It is mostly narrative, but an interesting read - about an Ojibwe man, Vietnam vet, who became a police officer first on the reservation, then in an urban area.

Next, I read Ogimawkwe Mitigwaki (Queen of the Woods) by Simon Pokagon (Pokagon band, Potawatomi). He lived from 1830-1899, and this is named as the 1st Anishinaabe novel, an autobiographical novel about colonialism and its effects, set in southwest Michigan. It contains many Anishinaabemowin words and phrases, but apparently Pokagon used a mixture of Potawatomi, Ottawa, and Ojibwa, and the new edition published by Michigan State University Press standardized the Anishinaabemowin. I read the 1899 edition, but even so, recognized words I have seen and heard in other contexts. I enjoyed the descriptions of life and wildlife in the woods but felt the negative effects of white society on Native Americans keenly.

I  also read parts of the nonfiction book Imprints: The Pokagon Band of Potawatomi Indians and the City of Chicago, by John N. Low(with bits about Michigan), including a chapter on Leroy Wesaw, born in Michigan but moved to Chicago for work, who created the Chicago Canoe Club. Chapter 1 explains the history of the Pokagon band, why some Potawatomi were able to stay in Michigan, and mentions Julia Wesaw, a well-known basket weaver. Chapters 1-2 also discuss Simon Pokagon's life and novel.

Reading a few poems by Margaret Noodin, Weweni, in both Anishinaabemowin and English. Noodin is also the editor of the new edition of Queen of the Woods.

Came across this title, which looks fascinating. A Two-Spirit Journey: The Autobiography of a Lesbian Ojibwa-Cree Elder by Ma-Nee Chacaby. Have requested it.

Tuesday, November 24, 2015

Fiction about indigenous / Native Americans

I have really enjoyed books by Caucasian authors Stan Jones about the Iñupiat, by Aimee and David Thurlo about the Navajo, by Tony and Anne Hillerman about the Navajo, William Kent Krueger about the Ojibwe of Minnesota, Margaret Coel about a metis Arapaho. When is it appropriation, when not?

Interesting posts:
Fine Print: 7 American Indian Women Novelists You Have to Read by Tanya H. Lee
1/15/14, http://indiancountrytodaymedianetwork.com/2014/01/15/fine-print-7-american-indian-women-novelists-worth-reading-153023
and
http://www.bachelorsdegreeonline.com/blog/2011/the-20-essential-american-indian-novels/
and
http://www.cynthialeitichsmith.com/lit_resources/diversity/native_am/nat_lit/native_lit_novels.html
and
Debbie Reese. American Indians in Children's Literature http://americanindiansinchildrensliterature.blogspot.com/


Carole laFavor about the Ojibwe. Linda Hogan. Susan Deer Cloud. Nicholas Black Elk.

Wednesday, November 18, 2015

Adrienne Keene


Yesterday I attended the Professionals of Color Lecture Series Presents: Dr. Adrienne Keene: Conversation on Cultural Appropriation & Pop Culture.

From the events blurb: "Adrienne Keene (Cherokee Nation) is a Native scholar, writer, blogger and activist. She is passionate about reframing how the world sees contemporary Native cultures. She is the creator and author of "Native Appropriations," a blog discussing cultural appropriation and stereotypes of Native peoples in fashion and other forms of pop culture. Her 3 foci were: increasing awareness of Native Americans in today’s society and how the history of marginalization and discrimination are still challenges in today’s society, insights into how contemporary Native Americans are working towards social change, and how Native Americans are negatively portrayed in media, sporting events and pop culture and the direct connection to continued oppression, discrimination and marginalization of their communities."

She has spent the last 5 years learning how to talk about these complex ideas in public, often through her blog. Stereotyping shrinks the diversity of Indian country to a few images and erases contemporary existence: there are 567 federally-recognized tribes and many more not recognized. Native identity is complex and racialized, involving political citizenship and culture. Cultural appropriation is taking from a culture no one's own instead of participating in an equal exchange of sharing. There are economic and moral issues: the designs are intellectual property, copyrighted and trademarked. E.g., the Navajo Nation hold the trademark for "Navajo." Urban Outfitters violated it in 2011, making a lot of money from products while the Navajo Nation did not. Morally, appropriation interferes with self-identity, self-definition, violates sacred aspects of a culture, and interferes with cultural sovereignty and survival. (This is so similar to issues of gender identity and sexual orientation!) Stereotypical images continue the dehumanization and colonization processes (emphasizing white supremacy). Native appearance, cultures, and languages were made illegal in the attempt to wipe out or assimilate them.

Fashion is an accessory that can be put on and taken off, different from identity. Yet there aren't hard lines between appropriation and exchange. Consider the 3 S's: source, significance, similarity. In 2012, the Paul Frank Fashion Night Out was marketed as
"Dream Catchin’ Pow wow." After Adrienne blogged about it, the President wrote to and phoned her to discuss ways to address the situation. The company pulled all "Native" designs from their digital art, pulled all products using that art, presented at the industry conference, and collaborated with Native artists to produce new designs and products (an e.g. of ("interest convergence"). When given the opportunity, many people want to do the right thing, but there are still challenges.

As an academic, Adrienne wondered how to process and deal with hate mail. She made a spreadsheet of tweets and analyzed the data, producing a scholarly article to be presented at a conference, thus reclaiming the hate mail language.

How can we incorporate Native designs respectfully? Buy from Native designers, know the background of the work, where/whom it's from. Don't buy or wear items which have sacred or religious significance. Let Native Americans represent themselves by buying directly from them or shops such as Beyond Buckskin Boutique.

Tuesday, January 20, 2015

Indigenous North America

On December 3, 2014, I attended a forum on Gi-gikinomaage-min, a GVSU-Grand Rapids project of recording urban Native American experience, co-sponsored by the Kutsche Office of Local History and the University Libraries/Archives. I'd like to be a volunteer interviewer. This spurred me to continue learning:
 
In late December I watched a 3-part sports documentary, Iroquois Lacrosse, about the Iroquois Nationals (Haudenosaunee) playing in the 2014 World Lacrosse Championships, and then the dramatized version, Crooked Arrows, about the original, ancient game and contemporary players coming together as a team, developing both skills and Haudenosaunee character. The Nationals were not allowed to go to the Olympics because their sovereign passports were not accepted by Great Britain.

I just finished reading Unraveling the Spreading Cloth of Time: Indigenous Thoughts Concerning the Universe by MariJo Moore and Trace A. Demeyer, a 2013 compilation. Interesting, thought-provoking pieces. I loved "Tangled" by Kim Shuck, would like to read more by Odilia Galván Rodríguez, Doris Seale (a librarian who compiled books like A Broken Flute: The Native Experience in Books for Children), and Susan Deer Cloud, who has several books of poetry out. Update 3/1/15: I've read 2 of Deer Cloud's chapbooks: The Last Ceremony, and Braiding Starlight. She wrote a poem of local interest, called Stuck in Grand Rapids Airport, Our Words Make Peace Cranes.

I came across the book above when I met Siobhan Senier via some friends during Thanksgiving weekend. She is an English prof who specializes in New England Indigenous literature (e.g., Dawnland Voices: An Anthology of Indigenous Writing from New England and its accompanying website Writings of Indigenous New England). She recommended the author Tomson Highway, a Canadian First Nations writer, and said that I might start with Kiss of the Fur Queen (GVSU 4th floor PR9199.3.H472 K57). She also recommended David Treuer's Hiawatha (MEL). David and Anton Treuer are brothers, Ojibwe from Minnesota. I had already read Anton's Everything You Wanted to Know about Indians but Were Afraid to Ask, a greatly informative book, because he had visited GVSU in the fall semester but I had missed his talk. I had also already sampled pieces from Voice on the water: Great Lakes native America now edited by Grace Chaillier and Rebecca Tavernini; it is an Anishanaabe (Ojibwe) anthology project from Northern Michigan University's Center for Native American Studies in Traverse city.

I would like to read at least portions of In the Hands of the Great Spirit: The 20,000-year History of American Indians by Jake Page (GVSU 2nd floor E77.P14 2003), perhaps "We are still here": American Indians since 1890 by Peter Iverson and Wade Davies (2015) and That dream shall have a name: native Americans rewriting America by David L. Moore, Centering Anishinaabeg studies: understanding the world through stories (search for urban), Living with animals: Ojibwe spirit powers by Michael Pomedli, Anishinaabe ways of knowing and being by Lawrence W. Gross, and most definitely The queerness of Native American literature by Lisa Tatonetti. And Fighting colonialism with hegemonic culture: native American appropriation of Indian stereotypes by Maureen Trudelle Schwarz. Look for Michigan in Encyclopedia of Native American music of North America. Look at the last chapter of Imagic moments: indigenous North American film.

I read: Unsettling America: the uses of Indianness in the 21st century by C. Richard King. Amazing book, eye-opening. He discussed Blue Corn Comics' Peace Party, and from there, I found Newspaper Rock, a forum subtitled, "Where Native America meets pop culture."

Here is a searchable in English or Ojibwe pronouncing Ojibwe People's Dictionary, from Minnesota, Ontario, Wisconsin.

March 7: Reading The queerness of Native American literature by Lisa Tatonetti. Based on the film chapter, I looked for and watched several documentaries from this organization: Basic Rights Oregon (BRO), Our Families “Native American LGBT Two Spirit”
Discovered filmmaker Carrie House. And website Native Out.
Next to read: Sovereign erotics : a collection of two-spirit literature